Why Are Video Producers In Their Own Production Especially Trying To Be Down With TruEra, If They Corny???
If you are down with the movement, grind with the movement. Film producers out here are trying to get free access to shoot footage with out dropping a dime of support or really promoting and or shouting out TruEra 24/7. Do not shoot footage for TruEra, if you are not about the bigger picture, which is Credibility And Loyalty Is All We Got. Fuck that Fake Era. This is TruEra all day! Keep that selfish shit to yourself. Do not think TruEra is not focus. We know fake ass film producers when we see them. When we have, shows do not think you are going to have fast fame. Wow if you think you are fooling us that is a damn shame. Throw money or love to support the cause and stay committed. If you cannot do that, keep on moving, because we do not need you in our circle. We about positive vibes, keep that negative bullshit somewhere else. If Film production is your passion, Supporting other grinds and passions in the art field should not be an issue. Haters do not exist with the key to fulfilling their Dreams. If film production is just a job for you and not a passion, then you do not fit the requirements for TruEra! In addition, if you charge to shoot footage stay the FuCk out the video. Credit yourself at the end in words! Unless you shouting out TruEra!!! IT IS ABOUT THE MOVEMENT..JOIN IF YOU DEAR!!
-Mysterious
Buy the all new He Got Beats, We Got Flow featuring production from Sallam Said and Tru-Era/ Eat More Records artist. Album mixed and recorded at the Tru-Era/ eat More Records studio in Boston, MA, by Higha Def.
Sallam Said is in the Tru Era building! See what's really good over at SallamSaid.com where he has everything you need alll the way from the west coast.
Royce Da 5’9”
Bar Exam 3 (Mixtape) – 5/5 STARS
“The Most Interesting Man in the World”. This is what Royce calls himself on his newest project. And he does his best living up to his own hype. Bar Exam 3 starts off with a high energy flow and a really fun rhyming scheme. He takes full advantage of the production in most the 29 tracks. Royce does not simply keep one flow throughout each song. He creatively chops up verses and hooks which makes for each listen to be as fresh as the one before it. His ability to break down his own words and create powerful percussion like flow is interesting to say the least.
Perhaps the most interesting thing in Bar Exam 3 is Royce’s decision to be more comical than usual. You quickly find yourself cringing from ultra vivid descriptions of violence to laughing out loud at his ridiculous punchlines and humorous takes on skinny jeans and the club scene. Including the intro and outro, there is 29 tracks total. You’d expect for there to me more than a few weaker songs to appear. However this is not the case. Royce nearly hits every song out the park, treating this mixtape like a premier LP. Victim to a couple of months of delays, Bar Exam 3 is quickly forgiven for its late arrival.
Features from the usual suspect of characters make their appearance. But Royce makes a good decision in not having these features overshadow his own performance. You get just enough Slaughterhouse and Kid Vicious to satisfy your taste. All in all, this is yet another great entry in Royces career. His lyrics are hard hitting as ever, the humor does a great job at breaking up the often serious Royce speak, and his production is finally catching up with him.
Proof of his skills as an MC may be in the last song where he kills Chocolate Rain. That’s right; Royce Da 5’9” kills the Chocolate Rain beat.
-State Spector
